The Irish Itinerary is an Irish cultural tour of Europe. This initiative of the European Federation of Associations and Centres of Irish Studies (EFACIS) started in 2013 with the first Irish Itinerary.Read more Discover Circuits
Irish Itinerary - Discover the circuits
Irish Itinerary - Galleries
“The title for my lecture is 'Significant Garments'. I will present a series of images created over the last 25 years of my visual art practice. A haute couture of garments that have multiple readings, ranging from police protective outer wear to Mairead Farrells Parka jacket worn in Armagh Women's prison.”
“… I had an incredibly inspiring time and everything was wonderfully well organised. France was wonderful I love this life travelling and lecturing.”
“What a wonderful experience in Braga, I am sorry to be leaving”
Mary McPartlan sang in Prague at the Marjánka dance hall on 20 November, accompanied by Aidan Brennan and Pádraic Keane to a dedicated and enthusiastic audience, aged 5 months to 60 years – even an impromptu jig was danced by some audience members during the final number. The concert was followed by a music session in a Scottish bar owned by the concert producer where our Irish guests were astonished to see that, as soon as they played the first few bars of the first tune, about 20 people whipped out their instruments and joined in. It turned out that some of the participants travelled over 200 km to be able to play with Mary, Aidan and Pádraic. The wave of energy was simply amazing, and needless to say, the session turned out to be long. In addition, Mary lectured to Charles University students on Irish women singers on 21 November.
"We had a really great mini-tour of Scandinavia and all our hosts, Charles, Britta and Irene were so supportive, interesting and generous. We managed to jot down a few notes as we travelled around. This was the first visit to Norway and Sweden for Songs of Joyce. The show was very well received in all three locations and was enjoyed by those new to Joyce aswell as students and academics who felt it brought a fresh insight into the works."
"We performed in the town’s public library in Falun which meant we attracted a great number of members of the public and local politians as well as academic staff and students from the University of Dalarna. "
“Lillis O Laoire came to sing at the University of Rennes 2 on Wednesday, March 18th, 2015.
The event was co-organized by Efacis and the Centre of Breton and Celtic Research of Rennes 2.
The venue was carefully chosen and very appropriate, in a room especially designed for singing, at the Music Department of Rennes 2.
The acoustics were therefore very good, Lillis appreciated this and he sang for nearly an hour and a half with short comments in English about each of the songs. The attendance was a nice mix of around sixty people, students and lecturers alike, mostly from the departments of Celtic (including some students of Irish), English (Irish studies stream) and Music. They were both very attentive during the performance and enthusiastic after it : Lillis's voice literally worked wonders. The performance was recorded and filmed, with Lillis's agreement, by a colleague from the Centre de Formation des Musiciens Intervenants of Rennes 2. The rest of the evening went on very smoothly, with five of us from Rennes 2 (including our Irish language tutor, who happened to be an ex student of his) having dinner with Lillis in a restaurant in town, after which he even gratified us with one last going-away song. A great evening indeed, magic !”
“Claire's reading went extremely well. We enjoyed it immensely and Claire was a wonderful guest and brilliant reader. We had advertised the event at university and we forwarded the info to the university's press office. We had also availed of the German-Irish Society Saarland's mailing list to spread the word. The Q&A-Session alone lasted for about 80 mins: the audience seemed to enjoy it greatly and especially our students asked many questions. We were all very much taken by Claire Kilroy who was such an interesting and thought-provoking speaker, and who spoke very openly and in a very personal way about The Devil I Know, the creative process and about the socio-historical context of the novel.”